Native Voices Presents 27th Festival of New Plays

27 TH FESTIVAL OF NEW PLAYS

Stories are medicine. You will hear me say that often. Not medicine like most people think, but medicine in an Indigenous sense: they heal, they guide, they influence, they teach, and they stir something in our spirit. They nourish the mind, body, and soul. The plays for this year’s 27th Festival of New Plays are indeed good medicine. They bring laughter, tears, and a sense of community and place. They center around family and what it means to be human, especially in this day and age. Most audiences new to Native American plays would describe them as “magical realism.” Although we do not prefer this term, it’s one of the closest ways to describe it in Westernized terms. Many of our stories have our cosmology intertwining and coexisting with us on this earthly plane. In fact, in some stories, multiple planes coexist in the same moment. This year’s selection represents the broad range of Native storytelling. Arbeka , by Tara Moses, is a family drama interwoven with Indigeneity that is heartwarming and insightful (and funny!). Tara captures an authentic family dynamic with all the love and chaos it entails. Her use of dialogue and story instantly welcome us into the Tiger family. K'kali , written by June Thiele, is immersed in the Aristotelian structure and our Indigenous ways of storytelling, simultaneously capturing the humor and complexity of relationships. June creatively weaves this concept throughout the piece in a way that carries the audience through the story without the need for oversimplifying Native themes or cultures. Whereas K'kali generously dips into this world, Jaisey Bates’s When We Breathe takes a deep dive into Indigenous storytelling. Jaisey has a mastery of language so poetic in nature and rich in cadence that one is immediately transported to the world she has created, “where every breath is a riot of beauty.” We hope you will savor each of these plays, and that they will nourish your mind and provide a balm for your soul. We are grateful to these playwrights for entrusting us with their words and their stories. Our hope is that Native Voices is a stepping-stone along their journeys. May their stories continue to be told across generations, land, and time.

In the spirit of Gadugi , DeLanna Studi Artistic Director Native Voices at the Autry

Gadugi : A Cherokee word meaning the coming together of a people to celebrate, support, and promote each other.

FEATURING

K'kali by June Thiele (Athabascan/Yup’ik) Tuesday, June 15, 5:00 p.m. A magical, modern tale of a queer Indigenous artist who wrestles with her culture, identity, relationships . . . and perhaps a real-life monster.

Director: Rhiana Yazzie (Diné) Dramaturg: Kirin McCrory Stage Manager: P. C. Verrone (Osage, Kiowa) TINITUN

Samantha Bowling (Cherokee)

TRISH CHRIS GILLY K'KALI

Lauren Fisher

Tyler Cook

Ernest Briggs (White Earth Nation) Brían Pagaq Wescott (Athabascan/Yup’ik)

Arbeka by Tara Moses (Seminole Nation of Oklahoma) Tuesday, June 22, 5:00 p.m.

Can one truly go home again? Hokte Tiger is about to find out when she returns to the Arbeka grounds in Oklahoma. After a decade in Hollywood, Hokte must confront past tragedies, mistakes, and wounds. Does she have what it takes to be a Tiger? Director: Madeline Sayet (Mohegan) Dramaturg: Carolyn Dunn (Cherokee, Mvskoke, Tunica/Choctaw-Biloxi) Stage Manager: Amanda Luke (Choctaw/Cherokee) LORETTA CLOUD Jehnean Washington (Yuchi, Seminole, Shoshone) PANCAKE Tom Allard (Cherokee) HOKTE TIGER Jen Olivares (Acjachemen, Juaneño Band of Mission Indians) BILLIE CLOUD-HARJO Candice Byrd (Cherokee Nation/Quapaw Nation/Osage Nation) JIMMY CLOUD-HARJO Kenny Ramos (Barona Band of Mission Indians/Kumeyaay Nation) REX STAR Kholan Studi (Cherokee Nation of Oklahoma) Real Time: The Remix by Jaisey Bates (Huron heritage’d) Tuesday, June 29, 5:00 p.m. Seven paths cross in a sacred, storied Zoomland where every breath is a riot of beauty—a revolutionary act of courage grit grace faith fire. Director: Nailah Unole Dida-nese’ah Harper-Malveaux (Cherokee Nation of Oklahoma) Stage Manager: Emily Preis (Osage) ACTOR 1 Kaili Y. Turner (Nipmuc) ACTOR 2 Ryffin Phoenix (Navajo/Omaha) ACTOR 3 Tanis Parenteau (Métis Nation of Alberta) ACTOR 4 Rainbow Dickerson (Thai/Rappahannock)

ABOUT THE PLAYWRIGHTS

June Thiele (Athabascan/Yup’ik) is an actor, writer, filmmaker, and storyteller. Recently they performed in a radio play with Theater for Young Audiences at the Kennedy Center, a radio play with A Red Orchid Theatre, Incomplete Conversations with Silent Theatre Company and wrote and performed an original story, When Animals used to Talk with 2nd Story. Film credits include atoms of ashes as co-writer, producer and story and Adhara , as writer and actor. They were selected for a scriptwriting fellowship in 2018 with PBS Kids and are currently writing for the new animated series Molly of Denali . Tara Moses (Seminole Nation of Oklahoma) also Mvskoke, is a director, a multi-award-winning playwright, the producing artistic director of telatúlsa, co-artistic director of Red Eagle Soaring, and co-founder of Groundwater Arts. Moses holds a BA in theater from the University of Tulsa and will attend Brown University/Trinity Rep as an MFA directing candidate in the fall of 2021. Jaisey Bates (Huron heritage’d) writes, directs, and performs with their multicultural theatre company, the Peoplehood (the-peoplehood.com). Bates is a recipient of the Emerging American Playwright Prize from Marin Theatre Company, a member of the playwrights’ cohort for the 2021 Bay Area Playwrights Festival, a Princess Grace Award / O’Neill National Playwrights Conference / Blue Ink Award finalist, and a Kilroys List honorable mention. Their education includes Georgetown University’s School of Foreign Service, the American University in Cairo, and Loyola Marymount University.

ABOUT THE DIRECTORS

Nailah Unole Dida-nese’ah Harper-Malveaux (Cherokee Nation of Oklahoma) is a theatre director, producer, and community organizer with a passion for creating, facilitating, and curating artistic engagements that center stories of the global majority, explore intersectional identities, and challenge systems of oppression and complacency. She most recently directed The Light by Loy A. Webb at Shotgun Players and two projects for the American Conservatory Theater’s (A.C.T.) MFA program.

She is a resident artist at Crowded Fire, a 2019–21 SDCF Observer, and a former artistic fellow at A.C.T. and Berkeley Repertory. She graduated with a BA in theatre studies and American studies from Yale University.

Madeline Sayet (Mohegan Tribe) is executive director of the Yale Indigenous Performing Arts Program (YIPAP) and co- artistic director of Red Eagle Soaring: Native Youth Theatre. For her work as a director, writer, and performer she has been honored as a Forbes 30 Under 30, TED Fellow, MIT Media Lab Director’s Fellow, National Directing Fellow, and Native American 40 Under 40, and is a recipient of the White House Champion of Change Award from President Barack Obama. www.madelinesayet.com Rhiana Yazzie (Diné) is a Steinberg Award–winning playwright, director, filmmaker, and the artistic director of New Native Theatre (Minneapolis/St. Paul). A citizen of the Navajo Nation, she has been a Playwrights’ Center Fellow multiple times (McKnight 2016–17, and Jerome 2006 and 2010). Her newest play is Nancy , a Native bio-perspective on Nancy Reagan. A sequel to Queen Cleopatre and Princess Pocahontas , Nancy was commissioned by OSF and the Public Theater for the American Revolutions cycle. She has just completed her first feature film, A Winter Love , which will premiere at the Wairoa

Maori International Film Festival in New Zealand in June 2021.

ABOUT THE DRAMATURGS

Kirin McCrory is a professor and polymath theatre artist. For more information, visit kirinmccrory.com.

Carolyn Dunn (Cherokee, Mvskoke, Tunica/Choctaw-Biloxi) is a poet, playwright, director, and actor. She is assistant professor of theatre and dance at Cal State LA and is the artistic director of Oklahoma Indigenous Theatre Company.

ABOUT THE STAGE MANAGERS

Amanda Luke (Choctaw/Cherokee), originally from Houston, Texas, is in her final year at Yale School of Drama. She has worked on stage management teams at Yale Rep, Syracuse Stage, WAM Theatre, Heartbeat Ensemble, Red Bull Theater, Powerhouse Theater, the Old Globe, and the American Indian Community House.

Emily Preis (Osage) is a New York City–based maker, performer, and organizer. A proud citizen of the Osage Nation, Preis is devoted to exploring the power of storytelling. She was a finalist for the Yale Indigenous Performing Arts Program’s inaugural Misty Upham Award for Young Native Actors. Select credits include Tree Tales (Prospect Theatre); Your Friend, Jay Silverheels (Annual Young Native Playwrights Contest); Bingo Hall (American Indian Community House), Michael Crowe Presents The Dick Cavett Show (Experimental Theatre Wing); Measure for Measure (Royal Academy of Dramatic Art ); and P. C. Verrone (Osage, Kiowa) is a writer, theatrical artist, and storyteller of mixed Osage, Kiowa, Black, and Italian American heritage. His plays have been presented by the Blank Theater, the Custom Made Theatre, Center Theatre Group, and Native Voices. He was a semifinalist for the 2017 Eugene O’Neill National Playwrights Conference. He is a 2021–2022 Playwrights’ Center Many Voices Fellow and a participant in the inaugural WNDB Black Creatives Revisions Workshop. When he isn’t writing, he enjoys baking with his fiancé.

When Farah Cries (Borderlight International Theater Festival).

Actors and Stage Managers appearing thanks to Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

ABOUT THE ACTORS

Tom Allard (Cherokee) is a longtime member of the Native Voices Artists Ensemble, having recently voiced the archvillain Wampum Baggs in The New Adventures of Super Indian as well as the original 2007 recordings. He is a retired actor, and for the past 20 years taught stagecraft and video filmmaking before becoming the resident storyteller for Pasadena Polytechnic School. September marks the beginning of his 50th year of singing for his supper, in one form or another. Deeply grateful for this adventure. What a band of players! Samantha Bowling (Cherokee) is a standup, sketch, improv, and character comedian from Cincinnati, Ohio. She lives, works, plays with her dog, paints, writes music, drives a stick shift, and performs in Los Angeles. She can be seen in comedy sketches on YouTube, in the Syfy film Tomb Invaders , on Amazon Prime in the feature film Back to Awesome , improvising on stage with the RubyLA’s house team Earhart, performing with Native Voices at the Autry, and in live comedy shows all over the city. Check out her Instagram @2ndGuessCorrect for updates on shows. Ernest Briggs (White Earth Nation) is a Minneapolis native who has performed in Minneapolis, Chicago, Los Angeles, and Florida for more than 10 years. He received his MFA in acting from the University of Florida. His stage appearances include the Guthrie Theater, Park Square Theatre, Mixed Blood Theatre, Teatro del Pueblo, Nimbus Theatre, Turtle Theater Collective, Artistry Theatre, South Coast Repertory, Minnesota History Theatre, and Native Voices at the Autry. Candice Byrd (Cherokee Nation/Quapaw Nation/Osage Nation) received her MFA in performing arts from the Savannah College of Art and Design in 2015. Acting highlights include Sarah Ridge Polson in Sovereignty ; Lily in A Tlingit Christmas Carol ; Phoebe Francis/Laguna Woman in The New Adventures of Super Indian ; and Terri Henry/Deborah Parker/ Billie Jo Rich in Sliver of a Full Moon . In 2017, Byrd participated as a TYA/ASSITEJ’s Next Generation artist-in-residence. Wado/ Da-tlee/Gu-ne-gay to my family, and glad to be working with this group of talented artists!

Tyler Cook sprouted as a beautiful turnip in Northern California. He eventually grew a head, arms, etc. (you get the idea). After all that, he appeared in a beautiful production of The Bird House at Native Voices. His TV credits include Austin & Ally , Shameless , American Horror Story , and Modern Family . He’d like to thank his mentor Rick Walters for the years of guidance and support and is also grateful to be playing with Native Voices again. Cook is currently working on a show in Montana as John Colter. https://www.imdb.com/name/ nm2593386/ Rainbow Dickerson (Thai/Rappahannock) trained in London and New York City. The 2020 Toronto International Film Festival Rising Star and 2021 Vancouver Film Critics Best Supporting Actress for her work in the feature Beans , and is currently an ABC/Disney Discovers talent showcase recipient. Other selected credits include Chicago Fire , Gone , Banshee , work on Broadway, with the Oregon Shakespeare Festival, American Repertory Theatre, Mixed Blood Theatre, Yale Rep, and many others. Lauren Fisher is a passionate theatre maker in Chicago who also serves as executive director of Silent Theatre Company. She also happens to be the very proud wife of the playwright of K'kali . In addition to making theatre together, the couple made a beautiful pandemic baby (Tali North), who just turned one. Fisher is thrilled to be a part of this festival. Jen Olivares (Acjachemen, Juaneño Band of Mission Indians) is a multidisciplinary artist, writer, creative director, and choreographer. Her work as an actor spans Oregon Shakespeare Festival, Yale Repertory Theater, and national touring companies. Olivares is working on several new Native works, including Molly Spotted Elk , A Penobscot in Paris with Penobscot Theatre in Maine and her play Denny’s Diner with Red Eagle Soaring, a Seattle-based Native youth theatre nonprofit. Her weekly podcast, The Overflow , critically examines modern wellness culture from the BIPOC artist’s perspective. @jenolivares_

Tanis Parenteau (Métis Nation of Alberta) is an actor/producer. She holds an MFA in acting from the New School for Drama. TV credits include Billions ; FBI: Most Wanted ; Designated Survivor ; and House of Cards . Theatre credits include the Public Theater, Signature Theatre in NYC, 59E59 Theaters, and the Oregon Shakespeare Festival. Parenteau does voiceover work and narrates audiobooks for Penguin Random House, Audible, Hachette, and Simon & Schuster. She is on the Red House Studios team developing a series titled Red House and has a podcast called Not Invisible: Native Women on the Frontlines , Kenny Ramos (Barona Band of Mission Indians/Kumeyaay Nation) grew up on the Barona Indian Reservation before moving to Los Angeles, where he earned a degree in American Indian studies from UCLA. He is an ensemble member at Cornerstone Theater Company; an artist-in-residence at La Jolla Playhouse; a current Intercultural Leadership Institute Fellow; and the recipient of the First Peoples Fund’s Cultural Capital Fellowship, the Theatre Communications Group’s Fox Foundation Resident Actor Fellowship, and the Yale Center for the Study of Race, Indigeneity, & Transnational Migration’s

which she co-hosts. Parenteau is on the SAG-AFTRA National Native Americans Committee and is the tribal liaison at Alter Theater. www.tanisparenteau.com

2021 Mellon Arts Practitioner Fellowship. Acting credits include the world premiere productions of Larissa FastHorse’s Urban Rez and Native Nation (Cornerstone); Mary Kathryn Nagle’s Return to Niobrara (the Rose Theater Omaha); Vera Starbard’s Devilfish (Perseverance Theatre); and Dillon Chitto’s Bingo Hall (Native Voices at the Autry). He has also performed at Oregon Shakespeare Festival, Denver Center, and the Kennedy Center, and he recently received his first commission from Diversionary Theatre’s Rising Tide New Play Commissioning Program. Ramos is passionate about creating theatre that centers Native perspectives, asserts tribal sovereignty, and challenges settler colonial realities of American society. Kholan Studi (Cherokee) was born and raised in Santa Fe, New Mexico. Ever since he was a child, he has loved entertaining folks and making them laugh and feel. In 2012, Studi moved to Los Angeles to attend the American Academy of Dramatic Arts, where he completed his studies in 2015. Since then, he has worked in many productions with Native Voices at the Autry, including The New Adventures of Super Indian by Arigon Starr, They Don’t Talk Back by Frank Henry Kaash Katasse, and Bingo Hall by Dillon Chitto. Studi was also honored to play Elias Boudinot in a production of Sovereignty by Mary Katherine Nagle at Marin Theatre Company in 2019. During the pandemic, he took part in Perseverance Theatre’s production of Spirit of the Valley by Frank Henry Kaash Katasse. He would like to send his love and support to all those who suffered from the COVID-19 pandemic. The only way out of this is together.

Kaili Y. Turner (Nipmuc) is a comedian, actress, writer, producer, and puppeteer born in Boston, Massachusetts, and raised between Mashpee, Massachusetts, and Boston. Turner attended the Actors Studio Drama School MFA program. Her full-length play Indian Country is based on her own experiences growing up as a Black Indigenous girl on the reservation with a community that doesn’t necessarily look like her, as well as what it is like to live in three different worlds. Currently, Turner’s comedic pilot about women, dating, and sexuality after 35, Fk’d Up & Fabulous , is streaming on Tenoir TV, and she is working on Squannit , a

coming-of-age horror-fantasy-thriller based on the Native American folklore and stories she grew up on. Turner is a member of Grown Ass Women, Golden Gals, and To Karen, with Love. She created Rock the Bells Comedy, is a producer for Act Now Foundation/ New Voices, was a former member of the Walt Disney/ABC Native American Pilot prep program 2020 and Bars Cohort 4 at the Public Theater and was a semifinalist for the Eugene O’Neil Playwrights program. Turner is the recipient of the 2021 SNL/Second City Scholarship. IG: @Mdamstarlight / Twitter: @kailiyturner / FB: Kaili Turner

Jehnean Washington (Yuchi, Seminole, Shoshone) is a multitalented and multicultural artist. A graduate of the American Musical and Dramatic Academy in New York City, she has worked for more than 30 years not only as a singer/songwriter and

musician but also in the entertainment industry in film, television, radio, and voiceovers. She is a recognized and archived singer, songwriter, musician, actor, and storyteller with the Smithsonian’s National Museum of the American Indian in Washington, D.C., and an ensemble member of Native Voices at the Autry. She is also the owner of the Los Angeles–based film company Lighthorsewoman Productions and co-wrote the award-winning screenplay for the movie Rave .

Brían Pagaq Wescott (Athabascan/Yup’ik) hails from Alaska and is now based in L.A. A graduate of Harvard and Yale, his recent credits include They Don’t Talk Back (Native Voices and La Jolla Playhouse), Our Town (Perseverance Theatre in Alaska), and a filmed broadcast of The Winter Bear Project via Zoom (Perseverance March–April 2021). No matter what, he will always be the boy from the dry cabin at the end of a long dirt road in Interior Alaska. Ryffin Phoenix (Navajo/Omaha) is a writer and performer. Ryffin was born and raised on the beautiful lands of the Navajo Reservation. Her passion for storytelling led her to train in the craft of acting. Her most recent performance was as Jacqueline in Rhianna Yazzie’s play, Nancy , for the Playwright’s Center. She has performed in several productions for Native Voices at the Autry. She spends her free time writing short stories and screenplays.

ABOUT THE ARTISTIC DIRECTOR

DeLanna Studi (Cherokee) has more than 25 years of experience as a performer, storyteller, educator, facilitator, advocate, and activist. Her theatre credits include the first national Broadway tour of the Tony Award– and Pulitzer Prize–winning play August: Osage County ; off-Broadway’s Gloria: A Life , Daryl Roth Theatre; Informed Consent , the Duke on 42nd Street; and regional theatres including Oregon Shakespeare Festival, Portland Center Stage, Cornerstone, and Indiana Repertory Theatre. Studi originated roles in more than 18 world premieres, including 14 Native productions. A

pivotal moment in her career was writing and performing And So We Walked: An Artist’s Journey Along the Trail of Tears , based on retracing her family’s footsteps along the Trail of Tears with her father. And So We Walked has been produced throughout the country and was the first American play chosen for the Journées Théâtrales de Carthage in Tunisia, Africa. In film and television, Studi can be seen in the Peabody Award–winning Edge of America ; Hallmark’s Dreamkeeper ; Goliath ; Shameless ; and General Hospital . She is a recipient of the Butcher Scholar Award, a MAP Fund Grant, and a Cherokee Preservation Grant. Studi has served as chair of the SAG-AFTRA National Native Americans Committee since 2007.

ABOUT THE MANAGING PRODUCER

Elisa Blandford has been producing for Native Voices at the Autry since 2014, from world premieres and touring productions to Short Play Festivals, Playwrights Retreats, and Festivals of New Plays. She co-founded Vanguard Repertory Company and the Windmill Arts Center, a black box theatre and dance studio dedicated to fostering performance and visual arts in Atlanta, Georgia.

ABOUT THE LITERARY ASSOCIATE

Katie Anvil Rich (Chickasaw and Cherokee descent) has served as Native Voices’ literary associate since 2018. Previously, Rich was involved in play development as an actor, director, stage manager, and producer, and she brings that perspective to the work she does at Native Voices, cultivating the work of Native and Indigenous playwrights. She is also a teacher and guest artist at several institutions in the Southern California area. Rich holds her MA from Harvard University’s Institute for Advanced Theatre Training and her BA from San Diego State University.

ABOUT NATIVE VOICES AT THE AUTRY

Native Voices at the Autry places Native narratives at the center of the American story to facilitate a more inclusive dialogue on what it means to be American. Founded in 1994 by Randy Reinholz (Choctaw) and Jean Bruce Scott, Native Voices is dedicated to the development and production of new works for the stage written by American Indian, Alaska Native, Native Hawaiian, and First Nations playwrights. The organization remains committed to emerging and established Native playwrights and theatre artists; telling Native stories by and about Native people; and providing the public access to these plays and playwrights—all with the goal of fostering greater understanding and respect of showcasing artistic voices that might otherwise not be heard.

ABOUT THE AUTRY MUSEUM OF THE AMERICAN WEST

The Autry is a museum dedicated to exploring and sharing the stories, experiences, and perceptions of the diverse peoples of the American West, connecting the past to the present to inspire our shared future. The museum presents a wide range of exhibitions and public programs—including lectures, film, theatre, festivals, family events, and music—and performs scholarship, research, and educational outreach. The Autry’s collection of more than 500,000 pieces of art and artifacts includes the Southwest Museum of the American Indian Collection, one of the largest and most significant collections of Native American materials in the United States.

FESTIVAL STAFF Asa Benally (Navajo) Costume Design Respondent Christopher Murillo Scenic Design Respondent Tom Ontiveros Projection Design Respondent César Reyes Tech Support

AUTRY LEADERSHIP / STAFF W. Richard West, Jr. (Cheyenne) President and Chief Executive Officer Chris Dzialo Director of Communications and Marketing Andrea Headley Marketing Production Manager Robyn Hetrick Director of Programs and Public Events Keisha Raines Communications and Digital Marketing Manager Jessica Reynolds Graphic Designer

SAVE THE DATE! 2021 FIRST LOOKS

Yu-Che-Wah-Keh by Vickie Ramirez (Tuscarora) Wednesday, September 29, 5:00 p.m.

A former activist, Myra Henhawk is sick and tired of fighting, rubber bullets, and pepper spray. She’s ready for a much-anticipated vacation from her corporate career when her activist sister goes missing. Despite knowing missing and murdered Indigenous women (MMIW) statistics, Myra refuses to believe her sister could just disappear, and she pursues her own investigation. When Bad Mind tricks Myra into confronting the wrong people, she must face the truth about her sister’s disappearance.

1 1 TH ANNUAL SHORT PLAY FESTIVAL

Home November 2021

For so many around the world this past year, home—literally and metaphorically—has become the centerpiece of many of our lives. Native Voices asked playwrights, What is home? Is it a place? People? A memory? Plays chosen to participate in the 11th Annual Short Play Festival will be entered to win the Von Marie Atchley Excellence in Playwriting award—a $1,000 cash prize!!

SUPPORT Your support is vital to the success of Native Voices at the Autry, allowing us to continue to create, develop, and produce Native American theatre for a national audience. To become an individual or corporate underwriter, please contact development@theautry.org or 323.495.4351.

Native Voices at the Autry is devoted to developing and producing new works for the stage by Native playwrights and is made possible in part by grants from the following:

LAURA AND DEAN BERESFORD • JUDITH CHIRLIN • JOYCE AND DAVID EVANS • CAROLE GOLDBERG AND DUANE CHAMPAGNE • DAVID HITZ • LEE HORWIN • HELENE JACOBS • JUDY JACOBS • LYNN JEFFRIES • EMILY MANN • PETER GLENVILLE FOUNDATION • JOHN QUICK AND MARTHA WIEDMAN • SEELEY W. MUDD FOUNDATION • JEAN BRUCE SCOTT AND RANDY REINHOLZ • DARYL AND STEVEN ROTH • KATE AND JIM WOLF-PIZOR

AUTRY MUSEUM OF THE AMERICAN WEST 4700 Western Heritage Way Los Angeles, CA 90027 TheAutry.org/NativeVoices | @NativeVoices |#NativeVoices

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